Mind Over Matter

Did you know that creatives are 25% more likely to suffer from a mental health issue in their lifetime, or that now, 1 in 10 people in Ireland are affected by depression?

Creating a stronger design community means facing these issues, putting a spotlight on mental health and how we deal with it as colleagues and agency principals.

It is our responsibility as a community to support each other which is why we are proud to give our time for Mind Over Matter on November 2nd, a national day of design in aid of mental health. The day is dependent on the design community giving their time, and businesses engaging and paying a fee that is donated directly to Aware.

How it works
For a fee of €60 anyone from an established business to a start-up or an entrepreneur can book a consultation hour with a designer. The fee goes straight to Aware, while during the hour you will find innovative solutions and discover new opportunities, while raising money for a great cause in your region.

We are delighted that three of our team are volunteering their services on the day

Why talk to a designer?
Designers are natural problem solvers who make it their business to be on the pulse of international design practices and thinking. It’s their dedication to innovation and creativity that translates into added value for your business, whether that’s through branding, production, user experience or manufacturing.

By embracing design it has been proven time and time again to add value to your business in ways that can end up creating competitive advantage and improving your bottom line.

Where
Two locations in Dublin and locations in Belfast, Cork, Limerick, Galway, Waterford, Tullamore, Dundalk and Kilkenny. Check out the Mind Over Matter website to find a venue close to you

Are You Our New Creative?

RichardsDee is Ireland’s leading brand and design agency and we are looking for senior and mid-weight creative and conceptual brand designers to join our growing team. The ideal candidates will be self-starters, ambitious, articulate, upbeat and have a strong understanding of brand and corporate identity. The candidates will work in teams that are fun, hardworking and love what they do. You will work alongside the Creative Director and Client teams in developing and building brands that are changing categories and evolving industries.

Senior Designer- Brand Identity
Experience- 6 years +

Responsibilities:
•Create impactful and memorable visual experiences for a range of ambitious clients
•Generate and produce great ideas and design executions that are underpinned by brand and business strategy
•Execute and produce design communications for diverse media
•Collaborate and coordinate with all internal agency disciplines from strategy, creative, project management and implementation
•Work passionately with our external partners, from photographers to illustrators and typographers, ensuring we deliver world class responses to briefs
•Continuously develop and participate in external activities on an ongoing basis for personal development and as a source of inspiration

Skills and Experience:
•Exceptional creative talent
•Strong written and verbal communication skills
•Strong organisational and time management skills
•Strong presentation skills and leadership qualities
•Experienced in all current design software
•BA degree in graphic design plus 6+ years of related experience
•Experience with motion graphics and a working knowledge of digital design

Mid-weight Designer- Brand & Packaging
Experience- 3 years +

Responsibilities:
•Be confident in brand and packaging and in presenting your work, both internally and to clients
•Be able to excite and inspire people around you – both colleagues and clients – while earning their respect and confidence
•Be able to make bold, clever design decisions and bring others with you
•Be great at organising and prioritising your workload
•Bring a strong creative point of view to the agency

Skills and Experience:
•A brilliant creative thinker, with the ability to challenge and push comfort
•Obsessed with both craft and detail
•Comfortable engaging with the strategic dimension of our work, able to get under the skin of clients’ issues
•Articulate, confident and assertive in presenting work
•Highly collaborative, able to build strong relationships within design and across the business
•Excellent typography and brief taking skills
•A good awareness and keen interest of packaging in the market today.
•Print and new media exposure and good knowledge of print and various print processes.
•Experienced in all current design software

Please submit CV and a low-res PDF of work to simon@richardsdee.com before March 10th.

A Nod to Bewley’s Unique History

As part of a wider programme focusing on tea, we were tasked with producing a set of ‘Special Edition’ teas to elevate Bewley’s tea credentials and to capitalise on the growth being experienced in loose-leaf tea. It was important that the pack design not only motivated consumers to buy the product but also helped share the Bewley’s story and deliver on their mission ‘To Delight the Senses’. Focusing on three of the best-selling variants, Darjeeling, Assam and Irish Breakfast Tea, the special edition teas needed to work both individually and as a set. The design also needed to take into account that the chests would be displayed in multiple locations – in cafes and restaurants to add theatre and interest as well as being able to hold their own and compete for attention on a retail shelf.

We recognised the opportunity to create a unique format for Bewley’s Special Edition teas that would build on the brand’s compelling history as the original independent tea importer to Ireland. In 1835, Samuel Bewley imported 2,099 chests of tea directly from China on the Hellas ship and in doing so, broke the East India Company’s monopoly. This story became the inspiration for the packaging. We used small wooden chests as a nod to the original format that the tea would have arrived in. The ship became the symbol of the Bewley’s spirit, taking pride of place at the top of the packs. The panel design uses elements such as the mosaic tiles from the Grafton Street cafe, creating a unique and ownable frame that is both attractive and functional. Colour was intentionally kept to a minimum in order to mimic the look and feel of the original stencilled chests; black being the predominant colour with a pop of brighter colour to differentiate between the variants.

Design Thinkers 2015

Last week I attended The Design Thinkers conference in Toronto;  a unique conference bringing together designers, strategists and creative thinkers from across the globe. After spending a few days in the company of the RGD (Association of Registered Graphic Designers), I noticed a number of consistent themes emerging, notably the importance of:

 

– Creating the magic for our clients; as creative designers, we have an obligation to our clients to help them to see and realise the potential in ideas and what they can achieve – to take the every day and make it wonderful

– Embracing technology and using it to our advantage; by simplifying the working day and creating clarity in the way information is shared, providing inspiration to customers

 

– Being more in-sync with our clients ‘everyday’;  from coffee-break research and working with clients in their space, to commercially partnering with clients on flagship projects

 

– Revisiting what we do and why we do it; addressing the purpose of an agency, creating a defined company culture and a better work-life balance

 

– Being innovative and embracing new working methods; working quicker and wider, focusing on what is important on a project before developing the detail

 

– Adapting to the rise of the in-house design teams and helping them become the champions of design within their organisations

 

– Understanding the extent to which the design world is changing; we should not be afraid of crowdsourcing but of algorithms

 

RD_Blog-DT_text_643x390

 

The overriding impression is one of a conference that celebrates the future of the industry and not just design as a craft. These are important lessons, which I believe can be learnt by other conferences: to be more open to the commercial needs of the business and the needs of the clients, both today and with an eye on where the industry may be heading in the future.  All in all, a great few days (and nights) were had in Toronto – I was extremely impressed by the work of the RGD in Canada, the community they have created and the conference as a whole.

RichardsDee hosts ICAD Upstarts

 

Last night we hosted the designers participating in the 2015 ICAD Upstarts course. ICAD is a great initiative where up and coming designers work with a mentor and design studios to develop their work, challenge their thinking and improve their portfolio. We set a brief last week and their work was presented last night. Considering the short time scale, the work presented was excellent and an enjoyable evening was had discussing the work. Once again we were delighted be involved with this great initiative.

Launching a new website for a global diagnostic brand

Trinity Biotech is a NASDEQ quoted diagnostics company, specialising in the development, manufacture and marketing of clinical diagnostic products.

The organisation is highly acquisitive frequently adding new companies and products to their vast portfolio. Their increase in product lines and business units meant they needed a new digital platform with increased capabilities to accomodate the growing areas within their business.

The new site needed to elevate Trinity Biotech’s leadership status within global diagnostics, maintain a prominent investor relations section, ensure ease of naviagation, and deliver expanded functionality for the integration of future brands and products.

The launch of the new Trinity Biotech Website sees us developing another successful digital platform with our digital partners PointBlank.

ID 2015 – Creative industry or craft industry? 10 ideas that ID2015 could do to elevate design as a whole

If you hadn’t already realised 2015 is the Year of Design in Ireland. The aim is to foster dialogue and collaboration, encouraging investment in design as a key component of competitiveness and innovation, grow employment opportunities and sales, as well as highlighting the export potential for the Irish design sector. This is an ambitious task and one that is highly commendable.

Design is an unsung hero in Ireland even though it has been intrinsic to much of the country’s success; from the design of pharmaceutical buildings (locally and globally), the design of technology hardware (Intel proudly displays “Designed in Ireland” on its Galileo Board) to design being a successful discipline within the many and varied creative industries across Ireland.

As I look through the programme of events for ID2015 it becomes apparent that engagement with business (our clients), promotion of the design industry as a whole, as well as demonstrating the value of the industry to the economy is missing.

Browsing through the list of activities on offer, the emphasis has been placed on style, craft, making and production. Even the intro video reinforces this; with no references to the value design brings to communities, society, experience or the bottom line.

Already the potential exciting year of design is turning into a focus on craft and aesthetics, positioning us as a cottage industry rather than flexing our muscles across all aspects of design, establishing us as a true business sector connecting with opinion formers, intrinsic to business success and showcasing our talent and potential to an international stage.

As a country, we’ve already established ourselves as a tech hub. Is it too much to have the same ambition for the creative industries? Surely we should be embracing that and taking this opportunity to think big and put our best foot forward as a collective – industrial, architecture, branding, advertising, digital design?

10 ideas that will help the creative industries become celebrated and connected at a national and international level:

1: Promotion of the industry and its many disciplines and the benefit design brings to business. A simple task would be to raise awareness of how designers influence not only commerce but also the day to day and our everyday surroundings. Think how AIB have created Backing Brave to celebrate entrepreneurs and small businesses, and how Ireland could own a “Backing Design” campaign.

2: Nationwide research into the state of the design industry, to promote understanding of the value of industry and provide a robust database and clear categorisation of disciplines.

3: Initiate a dialogue to build a case for the Creative Industries in Ireland and to provide support and economic benefits for companies commissioning design / creative services in Ireland.

4: Dialogue between industry and education. It is widely acknowledged that graduates are ill prepared for the commercial realities of today’s business, and this is just as true for design graduates being ill prepared for the modern studio. ID2015 has an opportunity to influence a change in design education and create a dialogue between the creative industries and educational bodies for the benefit of business and graduates alike.

5: Exhibition of design services at every Irish embassy, rather than just locally, to promote and showcase design talent in all its formats.

6: Bespoke conference targeting marketing directors and design buyers on the role of design and how to utilise design for business benefit.

7: A Design Showcase that demonstrates and celebrates all design services in a democratic and “non awards” situation, removing the divide between disciplines and positioning the industry as a creative force.

8: Establish dialogue with the government on the importance and value that the industry brings to the economy and how the design sector can bring significant employment.

9: Initiate a conference for state agencies and semi-state organisations to educate them on design and the procurement of design, creating design-buying heroes within Government

10: Establish dialogue, framework and a road map for creating a truly powerful business sector, understood and valued by government and business alike.

The Year of Design is a fantastic step forward but we need to start to talk more as an industry in how we help society, businesses and the economy and less around the making, the product and ourselves.

It’s begining to feel a lot like Christmas

So the festive season is almost upon us and while the sensation that is the Coca Cola Santa is evident nightly on our big screen,  #MontyThePenguin is playing a blinder in dividing the masses on our small screens. It is the season for brands to be jolly and is also the one time of year where we seek out and want to engage with things that get us into the festive mood.

So whilst some great and some questionable Christmas packaging floods our supermarket shelves, we thought we’d shine a spotlight on one of our favourite Limited Edition packs, which we had a wonderful time creating back in August.

The old adage goes ‘Seeing Is Believing’ however with Bewley’s Christmas Chai Tea, the proof is most definitely in the taste. The unique festive blend of Chai encompasses cinnamon, nutmeg, rich vanilla and hints of sweet fruit…..It is a must for the basket this season.

We used a number of festive treats as the basis for our illustration which we then fused with colour, typography, gold foils, beautiful descriptors and ended up with a Limited Edition pack that is destined to get you in the festive mood.

Annual Reports and the power of story telling

Annual reports have a core function; to effectively present the company’s financial strengths to shareholders, business audiences, employees, and the general public.

Annual reports also have a great opportunity to tell a story; a story that is positive, confidence building and scene setting for the year ahead.

We placed emphasis on story telling whilst collaborating with SEAI on their 2013 Annual Report.

SEAI work tirelessly on initiatives for business, industry, consumers and government, yet these initiatives while hugely successful are often not evident or visible. Our creative objective was to elevate the impact these achievements have and demonstrate how integral they are to our everyday. Playing with size, scale and a bold approach to presenting the numbers resulted in a visually engaging Annual Report that has received very positive feedback since launch.

A Sustainable night to remember

The SEAI Sustainable Energy Awards took place last week at The Shelbourne Hotel and what a night it was. Having designed the presentation and communications, we were delighted to form part of an eclectic mix which included Gavin Duffy (quite the photo bomber), a man in a kilt, the minister, a diplomat or two, our agency friends from SEAI and some of Ireland’s most ambitious businesses.

The awards  encourage, recognise and reward excellence in energy management and they celebrate individuals, groups and organisations who demonstrate a commitment to include energy management as part of their overall management structure.

We were particularly impressed with the worthy winners of the Ambition category Comharchumann Fuinnimh Oileáin Árainn Teo (CFOAT). The group were set up in 2012 and are on track to develop the Aran Islands as energy independent, energy self-sustaining and carbon neutral by 2022. Surely that’s as high as ambition goes!

New Airbnb logo – Why it works

A new brand identity will not resolve issues with local government taxes or quarrels between landlords and what their tenants are doing by sub-renting their properties, but the new Airbnb logo and identity is a confident step in the maturing of the brand.

New Airbnb logo

One of the powerful elements of the new brand execution is the symbol, or should I say “Belo”. This symbol has a strong idea at the heart of it and works on many levels:

An “A” for Airbnb

  • Features the pin icon used on maps and part of its previous visual language
  • An inverted heart comes across strongly, reinforcing passion
    (Habitat may have got there first though)
  • A simple execution that lends itself to many creative expressions
  • A warm, personal attitude that will establish quick recall

The approach to the new Airbnb logo and identity is a refreshing change from the previous word mark, and the brand now has a new tool in its brand armory to build awareness, differentiate and communicate the brand’s passion.

Looking at other brands in the digital realm – eBay, Yahoo, Facebook, Vimeo, Flickr, Skype, these all feature word marks and lack any real strong idea, personality or warmth to their brand identity (apart form Yahoo with an exclamation mark – says it all!).

The launch of the brand has also been widely accepted, due to the fact that the brand is moving forward in a positive manner, and they have not tried to use the brand evolution as the only story. Brands reviewing their identities need tangible reasons for change and enhanced brand experiences must be visible and paramount. Airbnb has also achieved this, with additional and improved services on its site.

Unlike other recent controversial brand re-launches (Gap or Yahoo), Airbnb realised what they had (and what they didn’t have) and have built upon this.

The approach in brand identity by Airbnb may be old school, but it is a welcome return to brand identity and logo design that has depth and meaning. If you think the logo can be improved then Airbnb have created a nice tool where you can create your own:

“Sketch it. Paint it. Put a penguin on it.
Make a symbol that reflects your Airbnb experience, and add it to your Airbnb profile”

Take a look HERE.

New Airbnb logo and brand

 

Banking with taste

Here in Ireland, food and drink has always played a large part in all our lives – but in recent years it has become more important than ever in terms of the economy. Ulster Bank has watched this growth and change with interest, analysing the special industry requirements and unique business needs of this sector, and in response, has developed a suite of products and supports specifically for ‘Food & Drink’ businesses across the island of Ireland. As Ulster Bank’s branding partner, our task was to bring these to life in a meaningful and engaging way.

Food & Drink is part of a suite of propositions that Ulster Bank has developed for SMEs, which includes specific support for those just starting out, i.e. Start-Ups as well as those in the Agri sector. Given the natural element of cross-over between these 3 areas, we needed to ensure that the marketing collateral we developed felt part of the same family, whilst clearly signalling Ulster Bank as a credible player who understands the needs of the SMEs within the Food & Drink industry, ultimately positioning Ulster Bank as the ‘bank of choice’ within the sector.

Food and drink is a very emotive industry and the focus on quality, care and attention given to the produce is key. The choice of imagery and copy taps into the passion and dedication of business owners in this sector, and elevates Ulster Bank’s intimate understanding of just what Food & Drink businesses need from their banking partner to help their businesses grow and achieve their full potential.

Agri-packaging with personality

Devenish Nutrition are a market leading agri-technology company, that specialise in developing and providing nutritional solutions to challenges faced by livestock producers across the globe.

As part of a larger branding project, we were asked to specifically look at their packaging and provide a design solution which would elevate their market leading status and bring the range together with a consistent look and feel.

A key part of the new packaging design is the introduction of a graphic agricultural landscape, which provides a dynamic element to the pack whilst grounding it in a familiar environment.

Colour-coding through the landscape and colour blocking on the sides of the bags allows for the different products to be easily recognised in a warehouse whilst giving each product brand a degree of personality in its own right. The design is completed with a visual of the animal range in question to allow for quick reference in product store.

Finally a quality seal device was developed to represent the IP that is present across certain products under the ‘DeviCare’ offer.

Melbourne’s Street Art

Having recently returned from Melbourne after living there for twelve years, I thought I would share with you my love for Melbourne street art. For those who haven’t visited, Melbourne is a cosmopolitan city full of art and style. It is brimming with fabulous galleries and exhibitions and there’s always something to go and see. But one of its hidden artistic secrets lies not in a gallery or exhibition space, but on the walls of its ever-changing streets and lane ways.

The City of Melbourne recognises the importance of street art in contributing to a vibrant urban culture and issues permits for street art sites. Street art includes stencils, paste-ups and murals and does not include graffiti or tagging (writing a name) which are illegal.

The City’s street art has become internationally renowned and has become an attraction for local and overseas visitors experiencing Melbourne’s creative vibe.

You’ll often walk by the laneways and catch a glimpse of tourists snapping away at Melbourne’s beloved hidden treasures. So put the image of tagging or illegal graffiti out of your mind and enter Melbourne’s streets and laneways for a truly inspiring experience.

Here is a list of my top three:

1. Hosier Lane

street-art-hosier-lane-melbourne
Image: melbournewalks.com.au

The bluestone-cobbled lane is located opposite the Melbourne landmark of Federation Square in the City. Artists such as HA-HA, DrewFunk and Klara appear on the lane’s multi-coloured walls, over layer-upon-layer of previous artwork. In the lane are a couple of cool little bars and restaurants that make visiting the lane even more enticing.

2. Union Lane

street-art-union-lane-melbourne
Image: melbournewalks.com.au

Located just off Bourke Street Mall which is the main retail street in Melbourne, Union Lane comes as a bit of a shock when you first see it. There aren’t any of the usual trendy bars or cafes to attract you in, but it is breathtaking. Just about every piece of wall is covered by a giant mural, which measures about 550 square metres.

3. ACDC Lane

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Image: travel.cnn.com

Named after the world-famous Australian rock-band, ACDC Lane is another Mecca of street art in the City. It has the name of being the “black-sheep” of the Melbourne street art world, due to its somewhat dark works.


Most of Melbourne’s street artists are part of a studio called Blender Studios. Set-up in 2001, it (and its walls) are a major creative hub with many of the artists trialling their work on the building’s walls. Located in Franklin Street in the City’s centre, it is well worth a visit too.

Legal street art contributes to a vibrant urban environment and can change continually on a day-to-day to basis. So next time you are heading towards the southern hemisphere, include Melbourne in your itinerary. Sydney may have the Bridge and Opera House, but for a blast of funky creativity, Melbourne’s laneways are the place to be.

 

Wine Guide Brochure for Value Centre

Completing the Value Centre Wine Guide that will be used by the sales team to promote the great range made us more than a little thirsty!

We made heroes of the wines, elevated the countries of origin, focused on exclusive ranges and brought the Value Centre wine buyer to the fore elevating the wine credentials and expertise associated with the range for 2013.

Craving a glass of vino having finalised our latest wine guide brochure!

Onaware – Brand Identity Development

Onaware is a global leader in delivering specialist identity management services that translate insights into risk reduction strategies for their clients. Our challenge was to create a new brand identity development including: name, identity, look and feel and brand communications for a company who’s vision is to be the most trusted identity management company in the world.

To deliver on the brand identity development, we started with an initial strategic phase establishing the vision, values and personality of the brand, feeding these into the naming stage, brand identity and communications creation.

Through our robust and tested naming process we recommended the name: “Onaware”, meaning always being “On” and always being “aware”.

The new brand identity, based around security, responsiveness and adaptability reflected the positioning and strategy.

The value delivered included:

  • A process that quickly delivered a new brand in a tight time frame
  • A brand platform that enables “Onaware” to act, create and deliver in a consistent manner
  • A new .com name that is meaningful and easy to say
  • A new brand identity that positions “Onaware” as a responsive, trusted and innovative leader within the market place
  • A brand graphic style which is own able and supports the business positioning
  • The business tools for launching a new brand with an impending deadline
  • Naming and brand identity development for a global leader in identity management services

See our Onaware brand development case study here

Barcode design – showing barcodes some love

Having recently created packaging for a new range of ready meals that burst with flavor and goodness, we had lots of fun with our barcode design.

While we can’t unveil our packaging yet (it launches in September), we can do a sneak peak of how we translated our idea across the easily forgotten barcode. UPDATE: See our full project case study here

What’s in a bar code design?

Barcodes feature on every single piece of packaging so why not extend the packaging concept into the mostly functional and almost entirely neglected barcodes?

One of our favourite Irish Illustrators Steve Simpson is a real champion of injecting life into barcode design and has done some super work breathing life into these unsung little heroes. So come on, let’s show barcodes some love!

Offset 2013

A few weeks ago our design team had the great pleasure to attend the Offset 2013 conference at the Grand Canal Theatre.

Offset 2013 is a hub of design inspiration and positive energy, fast proving to be a world-class design conference drawing some of the most talented image makers and designers from around the world to speak at our doorstep.

Highlights were delivered by Ji Lee and JR. Ji Lee now Facebook’s creative strategist, showcased a host of impressively pro-active and experimental personal projects to demonstrate that “idea is nothing, doing is everything”. His Bubble Project where he created speech bubble stickers and stuck them to advertisements to encourage the public to add their comments brought him much attention, including this ABC news item in which Ji Lee appears, hilariously disguised which you can see here.

As with most design conferences some speakers were more comfortable on stage than others, and naturally inclined to candidly reveal their journey from humble beginnings to star creative than perhaps others. It stands to reason that the speakers who work in a team or in a busy studio are probably naturally more adept at articulating their thought processes than those that work alone. However, some of the most revealing talks were delivered by lone practitioners who revealed to the audience their earliest influences and shared their creative journey – showing that their styles and approach to their work has developed over time to become more accomplished and confident.

Other great talks that our creative team really enjoyed were of a slew of other brilliant creatives that spoke at this year’s event such as The Stone Twins, Natasha Jen, Bob Gill, Ben Bos, Kate Moross, Ciarán Ó’Gaora, Craig & Karl and many others but hopefully you get the picture.

So there you have it, OFFSET 2013, summed up. A HUGE thanks to the team at The Small Print – Richard and Bren, we’re already counting down the days ‘til OFFSET 2014.

A few weeks ago our design team had the great pleasure to attend the Offset 2013 conference at the Grand Canal Theatre.