Remembering Steve


Steve. Calm, considerate, thoughtful. With a desire to make everything around him better and the best that it can be. A friend, mentor, sounding board, co-creator, instigator and a touchstone for setting the standard in ideas and what they can become. 

Twenty years ago, Steve joined Enterprise IG which became the Brand Union. It was here that he forged many relationships in Ireland and helped to inspire, mentor and guide clients and creatives, including myself. In these early years, every introduction with a new client was that he ‘was just off the boat’, establishing a sense of humour and fun in everything he did. However, just off the boat he wasn’t. He had an enviable back catalogue of brand identity programmes, awards and experiences that stood him far apart.  

Steve had worked at Saatchi Design, followed by a role as Design Director at Newell & Sorrell. At the time, Newell & Sorrell was one of the places to work in London, creating ground-breaking brand identity projects, that Steve led for the likes of Selfridges, The National Lottery, Barclays and the infamous British Airways rebrand (Steve fondly talked of Margaret Thatcher’s handkerchief being placed over the tail fin and making the headlines). Following this, in 1988, he moved to Australia and joined the Organising Committee of the Sydney Olympic Games as Design Director, and subsequently FutureBrand.  

As a younger designer to Steve, I was fascinated by these larger creative branding programmes. I had seen them in the D&AD Annuals, I read about them and while at Enterprise IG in 2002, his CV landed (however, it was pretty poorly designed – in Word no less, and with shocking indents and spacing). Steve came to meet Jim, Peter and myself, and with him was a tatty, felt black bag (something that seemed to be part of his identity ever since). It contained a treasure trove of brand guidelines, projects and experience. What a gift to be able to work with the person who had created these, to learn from him and ultimately enjoy a lasting friendship over these years.  

One of the first projects we worked on together was the rebrand of Bank of Ireland. Enterprise IG had just won the account in Dublin and Steve was ready to lead the project. Little did we know that Bank of Ireland had just finished working with Interbrand in London, where Steve’s identical twin brother Andy worked – and, at the very first meeting, to the surprise (or horror) of the client they thought Andy had joined us! Apparently, Steve and Andy swapped roles quite easily – but those stories are for after the watershed. 

Over the coming years, Steve would be the creative lead on some of the most significant rebrands in Ireland, including the GAA and National Lottery. As his role evolved, he eventually led Brand Union in Ireland to become more strategic and client-led. We drifted from each other while our careers and priorities changed. Unfortunately for Steve the coming years were to become unkind.  

It was not until 2015 that our paths crossed again. Steve and his wife Tara came to ours for a summer house party and we talked and chatted into the early evening – great fun. Steve was starting to feel strong again and was keen to work, and for the next few years he came on board as creative consultant to RichardsDee. This suited Steve, Celine and myself well – Steve could find his feet again and focus on projects without the pressure of client responsibilities, giving him space to work with the team and to think more strategically on projects. One of these was a brand strategy project for Dublin Bus, who were evolving their brand following Transport for Ireland’s decision to roll out its own brand across Ireland. This was a perfect project for Steve, bringing his international knowledge, his warmth and fresh and bold thinking to the table – however, his idea to use an Irish animal on each mode of public transport did not see the light of day.  

From 2017, Steve became a full-time member of the team. It was a delight to have him join Celine and myself and for him to be a sounding board for us, central in shaping our positioning and being able to be objective and reasonable when we were having to make tough business decisions. Steve saw the opportunity in everything, in every project and every person. He was able to set creative projects for the company that everyone could take part in, whether it was creating a mask or a record cover that inspired you – Steve always went out of his way to make sure that his own solutions to these projects were above and beyond. It was this vision, creativity and energy to do good that helped inspire our Creatives Against Covid-19 project, which had a profound impact on the design community and charities we fundraised for. 

While his training may have been that of a designer, his wisdom, curiosity and ability to think big enabled him to play key strategic roles. Steve could bring a unique perspective, he was analytical but had that design and creative sense to always ask what if or why not? Steve and Celine developed a strong relationship quickly. Jim, Steve and I had a trusted kinship and together we went on to collaborate on projects for Kerry, National Broadband Ireland, House of HR, Irish Water, The Talent Club, Dublin Bus and BASF AG USA.  

One of Steve’s biggest impacts was on the people around him, he was adored by our team. He had time for everyone and could help tap into the thinking of designers to uncover a deeper and stronger idea. Steve was a traditional designer at heart, in search of an idea, creative metaphor or play on words to bring to life a solution that had wit, style and interest. While his tool of choice (PowerPoint) may not have been the most effective, his thinking most definitely was.  

He was constantly interested in design and the ways creativity is expressed – art, photography, writing, film etc… this always inspired me. Steve stayed enthusiastic about his craft – a genuine show of loving what you do and proving that your job can be your hobby. I think this was the case for him because he loved to work and to be set a problem to solve.   Over the last year, and post his unfortunate stroke, Steve came back to the studio for a few days a month. He relished reconnecting with the team, and lit up being around creative projects that needed a solution. But in truth, Celine, the team and I benefited far more than Steve. When Steve was around there was a sense of calm, another leg to the stool and another kindred soul trying to make people, the work and our environment better.  

There are very few people like Steve (apart from his brother) and he made his mark – on people, on clients, on brands and on many individuals who are all the better for crossing his path.  

We will miss him dearly. 

To fulfil Steve’s final wishes for his children – Grace and Charlie – we have set up a fundraising page, should you wish to donate.

  

RD Rewind – October


At RichardsDee, the team are working across a diverse range of branding programmes so we’ve created RD Rewinds; a way to showcase the projects we’ve been proud to lead over the month. First up, October!

SEAI Energy Awards

The SEAI Sustainable Energy Awards recognise and reward excellence in all aspects of energy efficiency and renewable energy. As proud brand partners to SEAI, we’ve worked on this critical showcase of energy innovation and sustainable energy for over five years. From event branding and stage design, to signage and presentation development, we were delighted to support on this year’s event which saw Veolia, Bus Éireann, Johnson & Johnson Vision Care Ireland and Wren Urban Nest amongst the worthy winners. A huge congratulations again to all those who were nominated, and to all of this year’s winners!

Furthr Festival

October 21st saw over 1,600 ambitious founders, investors and enterprises gather at Furthr Festival to explore global challenges and the role of tech in finding the solutions. With over 100 speakers across five stages it was a high octane day focused on big topics like opportunity drivers, scaling businesses, sustainable innovation and emerging tech. Having led the rename and rebrand of Dublin BIC to Furthr, we were delighted to develop the name, proposition, identity, architecture and experience for Furthr Festival. A destination that really celebrates where Innovation, Tech and Sustainability collide.

Read more about the rebrand here.

11 brands we designed meaningful change for in 2021

2021 was an incredibly busy year in our studio. From new faces to new projects and group Teams calls to get-togethers, it’s fair to say there hasn’t been a dull moment. As the final few weeks of 2021 fade into a brand-new year with fresh surprises in store, we’re looking back on just some of the projects that we designed meaningful change for this year. And, if you have a strategy or branding project in mind for 2022, contact us at hello@richardsdee.com and you could find yourself on our list this time next year! 

01 — Indigo

With Indigo Telecoms Group’s acquisition of our previous client 4site, we collaborated with the teams to define, design, and implement a strategic new brand built for the future of communication. By evolving the name to simply Indigo and the positioning to ‘Engineering a Digital Future’, as well as crafting an identity reflecting the new company’s three core offerings, a colour palette reflecting and complementing their name, a digital stream representing a future of limitless possibilities, and a brand voice and messaging deeply rooted in their core values, we helped set Indigo on their path to accelerating their growth strategy.

02 — Reitigh

2021 also saw us win new clients such as Reitigh, one of Ireland’s leading software companies solving the most complex processing challenges in financial services for banking, investment, and insurance enterprises. We worked closely with their leadership team to devise a unique  set of values, a brand purpose, and a compelling promise as well as a strong design system and laser-focused messaging that brought their approach of ‘Always Simplifying’ to life. Plus, in the spirit of the festive season, we were even nominated for an ICAD Bell for our work! View more work here →

03 — Kerry

This year we helped Kerry look Beyond the Horizon with their stunning new pattern. Built in four layers to reflect Kerry’s From Food, For Food heritage, their strength in people, their  unrivalled capacity for innovation, and their promise to reach over 2 billion people with sustainable nutrition solutions by 2030, the new hand-illustrated pattern brings their brand to life in miniature wherever it’s used. View more work here →

04 — MII

One of our biggest projects of 2021 was our rebrand of MII. Building on the brand strategy developed by Genesis, we delivered a revitalised visual and verbal identity system across the MII brand from the mark to a suite of impactful typefaces and the website to event naming. By amplifying MII’s role as the voice of authority for marketing in Ireland and an accelerator of marketing talent, we equipped the team with a brand that evokes their limitless ambition and radiates confidence. Read our full case study here →

05 — HOHR

2021 saw us appointed as Brand Partners to the Leadership team at the €1.6bn entrepreneurial powerhouse House of HR. Our challenge was to redevelop the Purpose, Vision, Mission and Values and crystalise these into a powerful creative strategy and identity system. Our solution was a rebellious and powerful system connected deeply to the brand we had defined previously, setting House of HR up for a bold and impactful future. Read our full case study here →.

06 — St. Vincent’s

For the third year running we produced St. Vincent’s Healthcare Group’s annual report. Designed around the theme of ‘Next Steps: Towards the Future of Healthcare’, we collaborated closely with the team at St. Vincent’s to deliver artwork and final layout for 2020’s report. 

07 — Fáilte Ireland

2021 also saw us refresh the brand identity of Fáilte Ireland, Ireland’s national tourism authority. Building on the strength of the iconic shamrock, we imbued the revitalised logo with a sense of authority by reaching back to the classic identity born in the 1960s, as well as modernised the identity by refreshing the typeface, harmonising the colours with Fáilte Ireland’s regional brands, and reversing the mark from a negative shape (white) to a positive shape (green). Rich in storytelling, the new logo asserts Fáilte Ireland’s role as the trusted shaper of the tourism industry in Ireland. View more work here →

08 — Energia

2021 marked another busy year with one of our closest clients, Energia. As their longstanding brand partners, this year we collaborated on a range of exciting projects that unifies their brand experience across all channels and underpinning their mission. We have a number of interesting Energia projects on the go in our studio for 2022 in what will be a challenging start of the year for the energy sector.. View more work here →

09 — Irish Water

2021 also saw a stunning new photography project take off with our friends at Irish Water. Together, we embarked on a project to update Irish Water’s image bank to capture the scale and breadth of their investment in Ireland’s water infrastructure. In 11 days, across 28 locations around Ireland, we collaborated with photographer Keith Arkins to capture aerial and ground photography that visually evoked Irish Water’s national status from coast to coast.

10 — Childline

Just over a year ago, we won one of the most meaningful rebrands of 2021 – ISPCC Childline. Selected as brand partners to Ireland’s largest children’s charity, the past year saw us enter the worlds of children and ISPCC Childline teams across Ireland through workshops to discover how we could help ISPCC and their service Childline reclaim their roles as children’s advocates and allies. By crafting a visual and verbal identity deeply rooted in the vernacular of children while clarifying the relationship between the brands, ISPCC and Childline are established as the definitive destinations for resilience and support for generations of children to come.

11 — Studio Photoshoot

Earlier this year when we had the chance to safely – if briefly! – get back into the office, we took the opportunity to refresh our RichardsDee photography with the brilliant Josh Mulholland. Check out our sweet O’Connell Street space and the wonderful faces new and familiar that make it such a meaningful place to be. All it’s missing is a Christmas tree!

The Biggest Show on Earth

Every four years each nation presents itself in a competition for attention at the World Exposition. After a delay caused by COVID-19, Dubai hosts 2020 World Expo just outside the city, united under the theme of “Connecting Minds and Creating the Future.” The investment in infrastructure and services is typical of Dubai in scale, with expected crowds of 25 million over the duration of the event.  

The World Expo is a great place to witness each nation’s branding and what they stand for, as well as providing a nation’s brand with the opportunity to get a sense of its reputation through environment, behaviours, narrative, and services. Stereotypes come alive, national pride can take over, and agendas become apparent. This year’s common themes centred on sustainability, mobility, and opportunity. Yet amidst this future-focus, Ireland was one of the few pavilions taking inspiration from the past, with a story of Ireland as the island of inspiration.

As each country tries to stand out, many build on the strengths of their visual identity assets. Germany and Switzerland were both rooted in colour and shape, while America built on the iconic star, and Belgium took cues from its cartoon heritage. Others looked past their current national identity with brave new ideas, including Austria’s multi-sensorial pavilion, the UK’s striking architecture inspired by Stephen Hawking, and Bahrain’s tightly-woven design visually presenting density as opportunity. 

This visuality also helps to communicate the countries’ stories succinctly, even across languages. Visually compelling performances, such as Kazakhstan’s robot hand and dancer, can bring complex technology stories such as human and AI integration to life in a tangible 

Inside each pavilion, the fun begins. Large format screens and projection are de rigueur amidst 2020’s offerings, and immersiveness is key. Each country distils and displays its culture alongside their superstar companies which elevate its status. From a bright and atmospheric whirlwind ride through Thailand, to a dreamlike night under the stars inspired by the First Nations peoples of Australia, and America and China competing through the lens of opportunity, seeking to outdo each other in the space race, each country seeks to exhibit progressive attitudes, never forgetting the softer side of power. Visually, it is an unbelievable overload. As a source of inspiration, ideas, and expression, being able to experience the diversity of executions on the same concept in one place is a treat. 

The World Expo is a moment in time where a country should define their place in the world by telling the story as to why their nation is worthy of investment and tourism. A number of pavilions lose sight of this. It surprising how many narratives and stories get lost in the architecture and show stoppers. This is not about just turning up with the biggest and brightest. In contrast, the countries that truly stand out are those laser-focused on their themes. Norway’s pavilion centres on the ocean as a resource, while Estonia focuses on their digital lifestyle. 

So, what is the purpose of a country at Expo? In practical terms, it’s a balance between business, investment, and tourism. But on a larger scale it’s also an opportunity to connect the stories, values, and visions of each country as a brand. Nations should use the event as a centrepiece to revisit and reinvigorate their brand as a global destination, and take advantage of the event as a launch pad to connect government services, present innovations, and display what makes them truly unique. Although World Expo itself is a bubble, the exhibits and the opportunities they present need to connect deeply to each country at home – this is a missed opportunity. For example, how many people in Ireland know what the Irish pavilion is communicating, has a connection to it or how Ireland is portrayed on a global stage? In this way, each pavilion would go further towards each nations’ branding objectives by acting as a compass to their identity and values.

In short, the World Expo is drama, scale, and theatre personified; a grand showcase of where each country has been and a statement into their future. The crackling energy of aspiration is evident, threaded from pavilion to pavilion and forging impressions of national brands visitors, governments and decision makers will take across the globe with them. It is, quite simply, one of the biggest shows on earth.

Senior Designer wanted

We are looking for a senior brand designer who has the creativity and hunger to Design Meaningful Change for our exciting and well known clients.

We are looking for a confident, creative senior brand designer who has the know-how and hunger to translate brand strategies, create original identities and deliver compelling ideas.

This is a key role with RichardsDee, working with a design team where your thinking and creativity will impact the direction of the design projects and allow you to challenge and hone your creative and strategic abilities.  

The role requires someone who has proven themselves on challenging branding programmes with leading agencies, has a digital first approach and is looking to play a central role in the future of branding. Needless to say the role requires excellent typography, design and craft skills, together with the energy to discover new thinking, influences and references.  

Requirements:

  • Curious, thoughtful and brave in creating concepts, solutions and ideas that are underpinned by the project challenges, yet is based on fresh thinking that sparks a clients interest.
  • Attention to detail in craft and execution through design development, testing and implementing.
  • Clearly communicate and articulate creative and strategic led thinking.
  • Design across many brand touchpoints with a customer first and brand led approach.
  • Passionate about language, with the ability to structure, write and create narratives for communications and to be able to build on tone of voice guides.
  • Interested in how brand and creativity can be a strategic business tool and how our work matters to help drive meaningful change.
  • Creatively curious and inspiring, uncovering the new references that help to create distinctive creative outputs.
  • Play an integral role to help grow our creative and strategic reputation building a culture to be proud of.
  • Digital first, in how brand identities need to live in a moving and digital world.
  • Have a minimum of 5 year experience.
  • This role does not need to be based in Ireland, but there will be requirement to attend meetings and workshops when required.

Looking for a meaningful change and to be part of a growing and ambitious company, then drop us a line at jobs@richardsdee.com

Senior Brand Strategist wanted

We are looking for a strategic, creative and business centric thinker who can solve complex client challenges and turn business strategy into brand strategy to help clients grow, transform and make an impact.

This is a consultative role, focused on increasing client’s brand value through various branding strategies including brand positioning, brand architecture, brand valuation/analytics, internal brand engagement and digital brand strategy.

This is a key role in RichardsDee where interaction, insight and building trusted client relationships is key to success. You must demonstrate innovative brand thinking, curiosity and razor-sharp acumen working with our clients to build reputation, so they become leading brands in their markets today into the future.

Requirements

  • Lead market and client discovery activities including interviews, workshops, research and customer journeys.
  • See the bigger picture, exploring possibilities with clients in a collaborative way always grounding opportunities in the positive impact they will have on the business
  • Understand clients’ challenges and respond with recommendations that puts brand at the centre of growth and transformation.
  • Think strategically, creatively and be adaptable to shift thinking across sectors and industries.
  • Be an analytical, critical thinker with an expert-level understanding of branding, research, business and strategic planning
  • Build long term relationships with clients and be a trusted advisor on brand strategy.
  • Inspire our team and our clients’ confidence and ongoing commitment.
  • Have minimum 6 years proven experience leading large complex projects that have returned strong results
  • Be passionate about how brands can make an impact and help businesses progress for the better
  • Have your finger on the pulse of new thinking and innovative tools and how they can be applied for success
  • Develop and measure impacts for success
  • Play an integral role in the agency to expand our thinking, assume a leadership role with our teams and continue to build our reputation in building brand value.

Looking for a meaningful change and to be part of a growing and ambitious company, then drop us a line at jobs@richardsdee.com

Inspiring the country to have hope and have HeART.

From Monday 18th May, many contributors to Creatives Against COVID-19 will have seen their art prints showcased across Ireland as part of a newly launched campaign facilitated by the marketing service group, Dentsu Aegis Network Ireland. 

On behalf of the whole Creatives Against COVID-19 team, we’re delighted to announce that our media campaign ‘Have HeART’ is now live. Over the coming weeks, followers of the initiative will continue to see the campaign in major national newspapers including the Irish Independent, Irish Daily Mail and Sunday World Magazine. The campaign’s out-of-home ads are also visible nationwide in key locations including Dublin’s Heuston station, Dundrum Town Centre, Galway’s Corrib Shopping Centre and Kerry’s Manor West Shopping Centre.

The goal of the campaign is to inspire Irish people to ‘Have HeART’ by purchasing an original art print from the Creatives Against COVID-19 online store. The proceeds from every purchase will be donated equally between ISPCC Childline and Women’s Aid, helping vulnerable women and children affected by the current pandemic. 

While the campaign hopes to inspire kindness, goodwill and generosity While the campaign hopes to inspire kindness, goodwill and generosity towards the two charities, the reach of the campaign was greatly amplified with the assistance of our marketing partner, Dentsu Aegis Network Ireland. 

ISPCC Childline is hugely grateful for all of the wonderful support we have received through the Creatives Against COVID-19 campaign. That PML Group are ensuring a captivating out-of-home presence to showcase these uplifting pieces and raise awareness of ISPCC Childline is significant. The generosity of Dentsu Aegis Network Ireland supporting this campaign is really helping to safeguard Childline’s future and making a vital difference for children and young people.” 

John Church, CEO ISPCC Childline

“We are so honoured to be one of the beneficiaries of this wonderful artistic fundraising campaign that has generated such an incredible outpouring of extraordinary, inspiring and beautiful works. The prints allow us to display something in our homes that will remind us in years to come of a time where we were all severely challenged but never lost hope. The support of Dentsu Aegis Network Ireland and PML means increased visibility and sales across the many platforms they are providing free of charge. To all involved- thank you.”

Sarah Benson, CEO of Women’s Aid

Dentsu Aegis Network are the first global marketing services group built for Dentsu Aegis Network are the first global marketing services group built for the digital economy. Designed to meet their customers’ needs, they are fueled by an ambition to drive sustainable business growth for clients brands and businesses. They strongly believe that the closer brands get to people, the more likely they are to thrive. 

We are grateful to Dentsu Aegis for their pro bono work on our campaign, securing the media coverage that has brought it to life across the country helping to spread our message of hope and driving sales to our online shop, helping us raise more funds for vulnerable women and children during the current crisis.

Celine Dee, RichardsDee

The team at Dentsu Aegis Network are delighted to assist Creatives Against Covid 19 to fine tune its online presence & digital campaign and courtesy of our media partners, to provide additional fund raising momentum across the radio, print and out of home (poster) mediums. The global and long lasting nature of these wonderful prints will serve as a reminder of this pandemic and the power of creativity to brighten people’s lives while raising much needed funds for Women’s Aid and the ISPCC.”

Liam McDonnell, CEO, Dentsu Aegis Network

“PML Group alongside Clear Channel Ireland and Exterion Media are delighted to be part of this excellent initiative helping the ISPCC and Women’s Aid by showcasing stunning creative across broadcast digital out of home. The response has been really strong to date given the strategic placement in high footfall locations.”

Geoff Lyons, Managing Director, PML Group

Designing Meaningful Change Together

Creatives Against Covid-19 called on the creative industry to design and donate inspiring posters of optimism, resilience and hope.  The result? Over 1,200 submissions, from over 30 countries, in just 7 days. The prints will be made available to buy, with all funds donated equally across Women’s Aid and ISPCC Childline.

To reframe this crisis into something more hopeful and optimistic, the Creatives Against Covid19 council chose the campaign theme ‘Soon’. This moment in our lives will not last forever. Soon we will be reunited with our families and friends. Soon all the things we enjoy the most will resume. And when they do, we will appreciate them so much more.  Under the positive theme of ‘Soon’ we asked creatives to share messages of Hope & Optimism, Strength & Solidarity, Togetherness, Kindness, Resilience. We wanted the campaign to spread messages of hope for now and the future. And we wanted the prints to be beautiful pieces of original work that people would be proud to hang in their homes.



The campaign is a creative collaboration between Shauna Buckley, Emma Conway, Sarah Doyle, Ryan Kavanagh, Fuchsia MacAree, Rory Simms, The Project Twins and was originated by RichardsDee.


Website: https://creativesagainstcovid19.com
Instagram: @creativesagainstcovid19
Twitter: @createsvscovid
Facebook: @creativesagainstcovid19

Creatives Against Covid-19

Creatives Against Covid-19 is a campaign calling on the creative industry to design and donate inspiring posters of optimism, resilience, and hope. The posters will be made available to download or buy in print, with all funds donated equally across Women’s Aid and ISPCC Childline.

This is the worst global crisis the world has faced since WWII threatening everyone indiscriminately, but especially vulnerable women and children. Social isolation is more dangerous for women and children living in the reality of abusive relationships. Trapped inside without the sanctuary of work or school, these people need our help now. ISPCC Childline are already reporting a 30% increase in vulnerable children seeking help and advice on online. Equally, Women’s Aid are deeply concerned about the safety of women and children affected by domestic abuse during this pandemic.

Creatives Against Covid-19 aims to mobilise the creative community to help raise much needed funds for women and children who are suffering and in need. We want to come together as a creative force and use our collective imagination and skills to design posters of hope, optimism and resilience. The posters will be created and donated by all creatives including; illustrators, designers, artists, photographers, typographers and writers. All posters will be available for purchase as digital downloads or as beautiful prints on www.creativesagainstcovid19.com.

To reframe this crisis into something more hopeful and optimistic, we have chosen the campaign theme ‘Soon’. This moment in our lives will not last forever. Soon we will be reunited with our families and friends. Soon all the things we enjoy the most will resume. And when they do, we will appreciate them so much more. We will emerge stronger from this crisis, showing more respect and kindness towards each other and our world. Under the positive theme of ‘Soon’ we can share messages of: Hope & Optimism, Strength & Solidarity, Togetherness, Kindness, Resilience. The posters will spread messages of hope for now and the future. The brief is available for download here https://tinyurl.com/wcj285g

The poster submission date is Thursday April 16th. Soon after the posters will go on sale on www.creativesagainstcovid19.com. All proceeds will be equally donated to ISPCC Childline and Women’s Aid.

The campaign is a creative collaboration between Shauna Buckley, Emma Conway, Sarah Doyle, Ryan Kavanagh, Fuchsia MacAree, Rory Simms, The Project Twins and was originated by RichardsDee.

Download the brief:  https://tinyurl.com/wcj285g
Instagram: @creativesagainstcovid19
Twitter: @createsvscovid
Facebook: @creativesagainstcovid19

RichardsDee bolsters creative team with the appointment of Stephen Ledwidge and Emma Conway.

RichardsDee are delighted to announce the appointment of Stephen Ledwidge as Design Director and Emma Conway as Senior Designer. The appointments reflect the company’s commitment to design excellence and creativity.

Stephen brings to the agency over 15 years industry experience. He has been based in both Dublin and London and most recently worked as Design Director at Zero-G where clients included DesignMap, Special Olympics International, and EPIC The Irish Emigration Museum. Stephen has also developed campaigns for the Abbey Theatre, Galway International Arts Festival and St. Patrick’s Festival.

Stephen is currently sitting as a member of the 100 Archive steering panel and has worked as an illustrator for clients including the Harvard Business Review, Business Week, Der Spiegel, Esquire and the 2012 London Olympics.

Emma has over 7 years experience in the design industry and has worked in both Dublin and Rotterdam agencies where clients included Temple Bar Gallery, The Yes Campaign and Trinity College Dublin. Most recently she worked on the An Post rebrand while at Image Now.

Emma’s areas of speciality lie within branding, typography and digital applications. She has also been recognised for her independent projects and is regularly featured in Totally Dublin and District Magazine.

“Stephen’s strength in design leadership for many well-known organisations will help us move the dial on how we evolve and future-proof brand identity. Emma’s relentless creativity will help us develop braver and more ambitious territories for our client’s work”, says co-founder and Creative Director Simon Richards.


Puca – Naming Ireland’s International Halloween Festival.

Ireland’s claim to the origin of Halloween is relatively unknown amongst an international audience. Fáilte Ireland recognised this as an opportunity to celebrate the festival at its source and grow tourism at a typically quiet time of year.

Obviously, Halloween is a well-recognised event in the western world and one with its own very distinct, name, rituals and iconography – but how do you create a name for the festival that won’t get lost in the Halloween noise, a name that stands out as an authentic and captivating event.  

The first task with naming is to establish the opportunities, challenges and criteria for the name. This criteria is built on by the stakeholders who have a view on what the name is and what the name needs to do. Criteria for naming can include looking at some of the following questions:

  • Is it distinctive from the many festivals at the time of year?
  • Is it ownable? Halloween has become popularised and generic, a festival name needs to encompass the characteristics that establishes its own narrative.
  • Is it defendable – can it be stood over as genuine and meaningful ?
  • Is it easy to pronounce? Is it a name that works for international audiences? How it is pronounced cannot be barrier, it can’t  have alternative meanings.
  • Is it easily understood – does it embody the spirit of Halloween?
  • Is it authentic – does it build on the truths of the festival?
  • Is it protectable – will the name become an owned asset that has intrinsic value?
  • Does it bring to life the spirit and positioning of the festival that’s relevant to the target audience?

Early on in a naming project, it is useful to workshop potential positioning with the client to establish territories of interest and to rule out positions that are not in line with the experience. Once clear criteria and positioning is agreed, ideas that are relevant form a rich catalogue of inspiration for a name.

Once a shortlist of names is established, these are evaluated against the naming criteria developed. Each name is tested and screened with our international partners for any conflicts or negative meanings.

Our shortlist stretched from very creative names like “Unearth” to more descriptive, authentic names like “Samhain”. However, a name needs to work simply, be easy to pronounce for international visitors and ultimately, be ownable.

The final name agreed was “Púca”. Púca is authentic and rich in storytelling – it has its origins in the original Samhain traditions. Púca was described as a shape-shifting Celtic creature that received harvest offerings from the field and was considered to be a bringer of both of good and bad fortune – they could either help or hinder rural communities. As such, many people traditionally would stay indoors on Halloween night to avoid receiving any misfortune it may have brought their way. The name is short, ownable, and easy to say. It also tested well with international markets.

With consumers seeking more and more authentic experiences, this was the perfect opportunity for Ireland to take to the stage internationally with its genuine Halloween heritage. The name we developed seeks to reclaim the truths, stories and rituals of Halloween’s origins as an event and festival. It is one we believe will help to establish Ireland as the definitive place to celebrate Halloween.

Our Cannes Grey Lions Shortlist

We are delighted to have been shortlisted for the Cannes Grey Lions competition. Putting some of the grey hairs and years of experience to good use, Steve and Simon developed a campaign for Alone that caught the judges attention.

An IAPI initiative, the Cannes Grey Lions competition is a pilot for seasoned veterans of the creative industries. Aligned to the concept established for Cannes Young Lions, the competition celebrates those in the industry over the age of 50 and seeks to combat stereotypes about age within our industry.

The competition brief was to create a campaign for Alone to motivate thousands of people to volunteer their friendship and support older people at home in their communities.

RichardsDee takes on the GT5K

Team RichardsDee joined over 4000 runners to take on the Grant Thornton Corporate 5K Team Challenge around Dublin’s iconic docklands. Undeterred by the September chill, the ambitious athletes pounded the streets from City Quay across Talbot Memorial Bridge, passing Custom House Quay, over Sean Casey bridge and back again.

Always remembering our all for one spirit, the team all crossed the finish line within the same 30 seconds, celebrating with a well-deserved post race pint in our local the Confession Box. With a team average of 27 minutes Simon, David, Ryan and Adam of the newly founded RichardsDee running club are off to a flying start – now to find the next challenge!

RichardsDee & TDK

We were delighted to host The Design Kids last night, where there were plenty of laughs, drinks and some of our designers spoke passionately about the great projects we have the opportunity to work on here at RichardsDee. The event was oversubscribed, people from a variety of different backgrounds came, and lots of new friends were made.

For the RD team, it was a great chance to showcase our new studio space smack bang in the middle of O’Connell Street, the heart of the city and right in the thick of things – keeping us fresh on all things Dublin.

We started at 6.30pm where our Creative Director and Co-Founder Simon Richards, brought the audience through RichardsDee history and how far we have come. From starting as a team of two in a small studio in Temple Bar right up to the present day with a team of 20 people over 4 floors on O’Connell Street.

Our designers Emily, Susannah, Mariana, Ryan, and Kyle then took to the floor to take us through some of their projects. They highlighted the research and strategy, design thinking and behind the scenes process that goes into each and every project to create meaningful change for all RD clients. Emily then went on to discuss our internship programme and Dylan and Susannah shared their own personal experiences and path from a graduate intern, through to a permanent member of staff on the design team.

We then opened the floor to Q&A where the attendees had the opportunity
to ask some of their burning questions… by the end, we even had some people wanting to switch career paths and others ready to make that leap!

After a brief studio tour finishing with sunset up on the rooftop terace, we moved on to Wigwam where the networking continued and conversations were flowing after a few more drinks.

We’d like to say a big thank you to all involved, our guests that came, and a special thanks to Zie Kirk and Jessie DeBoe – until next time Design Kids!

Steve Payne joins RichardsDee as Director of Brand Strategy

We are delighted to announce that Steve Payne has joined RichardsDee as Director of Brand Strategy bringing with him over 25 years experience in leading global brand programmes across Australia, Europe, the UK and Ireland.

Steve has consulted the leadership of the world’s most iconic brands and addressed business challenges across diverse sectors. Previous experience includes brand strategy, brand architecture and engagement programmes for British Airways, Kerry, GAA, ESB, An Post, Norwegian Airlines, 3 Mobile, National Lottery, GSK Global Innovation and Selfridges.

Steve has previously worked at Saatchi & Saatchi, Siegel & Gale, Futurebrand, Interbrand, Brand Union and most recently Genesis. He will oversee the quality and development of RichardsDee’s strategy projects globally.   

“I am delighted to work with the great talent at RichardsDee. Their ambition is one which sits well with me and one I can get behind and help steer; To Design Meaningful Change enabling organisations to evolve and grow, ultimately improving our experiences in work and life.”

Steve Payne, Director of Brand Strategy

 

“We are delighted to welcome someone of Steve’s calibre to the agency. His extensive experience and holistic perspective enables him to offer clients unparalleled brand guidance. The appointment reflects our ambition and continued international growth.”

Celine Dee, Co-Founder and Client Director

So we were proud when they were shortlisted, we’re even prouder of them now…

We can now announce that our two designers Dylan Panetta and Ryan Kavanagh have been selected to represent Ireland in the Design category at the Cannes Young Lion Competition in France this coming June.

We made hay while the sun shone (literally), and celebrated last Thursday with a pizza party on our O’Connell Street rooftop.

Ryan and Dylan are the second team from RichardsDee to represent Ireland in the Design category.

We’re wishing them all the luck in the next stage of the competition.

The weird, wild and wonderful of Geneva

The Geneva International Motor Show is the most important event in the automotive calendar. This year I headed over to check out the latest design and technology from self-driving and in-car experience to electric and hypercars.

As car manufacturers continue the move towards becoming full on tech brands, it was interesting to see how they still struggled to present the in-car UX in a way that felt meaningful and personal — the emphasis is still very much on the exterior design and not on the experience.

When it comes to design, typically the German, Asian and American brands tend to err more on the safer side whereas the French brands usually take up the mantle of the weird and wonderful. This year was no different, so here’s my favourite crazy French car designs from this year’s show.

1. Bugatti La Voiture Noire
The world’s most expensive new car. At a cool €19m, it buys you the ultimate bragging rights, but as Henry Ford famously said, “You can have any color as long as it’s black.”

2. Citroën Ami One
The all-electric two-seater is intended as an alternative to public transport, two-wheelers and scooters, and is designed to meet the challenges of future urban needs.

3. The Peugeot E-Legend
Like an electrified ’70s Camaro, the e-Legend shows that you don’t have to go dull — looking at you Tesla Model 3 — to go electric.

4. Renault EZ-Ultimo
The EZ-Ultimo is the ultimate, luxury, self-driving living room. Like a mix between a luxury yacht and an executive lounge, it shows how the super wealthy of the future could travel.

Location, Location, Location

Looking for a new studio is a big ask; will it enhance the creative process? Is it easy for everyone to get to? Will clients get a sense of our ambitions? Will the area inspire and invigorate thinking? Does it reflect our culture and does it represent value? Looking for a new studio in a Dublin dominated by shared offices is a task, and after a year of looking, we found our new home.

Located on one of Europe’s great streets and in the very centre of Dublin, our new home is 32 O’Connell Street Lower. Reconstructed in 1919, and designed by Donnelly, Moore, Keefe & Robinson, the landmark building was the home of the Savoy Cocoa company – later bought by Rowntree. It seems very fitting that a confectionary company once renowned for launching great brands has its legacy living on in what we do.

Spread over 4 floors we now have a building dedicated to design teams, client areas and a reference library. But the real benefit of the new space is the following:

  • A dedicated 600 sq. ft workshop room where we can host or hire out the space for creative workshops, brainstorming sessions, presentations and meetings. A unique creative thinking space in the heart of the city.
  • An enviable rooftop terrace overlooking the GPO and O’Connell Street with unparalleled views, the perfect spot to host summer meetings or our Friday team show and tell.

On Saint Patrick’s Day the rooftop served as one of the best vantage points from which to view the parade. Agency friends and family enjoyed the views from the balcony which is almost within reaching distance of the spire on O’Connell Street.

The location means that we can promote the use of  public transport, be near to retail influences and ensure that access is easy from all sides of town. While you might not be able to park outside the door (this was not the goal), we wanted a space where we can be inspired and energised, a space (forgive the cliche) that we are proud to call our home.

Facts not Fluff

Today marks International Women’s Day, and this year’s theme is Balance for Better.

In order for the day to have real value, we need to move away from the bandwagoning, pink fluff, box-ticking content and get down to the facts. What does Balance for Better really mean?

The first step to tackling any issue is admitting there is one and we think the tide is beginning to turn on this one. Working in creative agencies, where the gender balance has been skewed and not always a priority, years of campaigning for better might finally be bearing fruit. People are more engaged in social justice than ever before and gender balance is being put on the agenda. Recently Diageo CMO Syl Saller penned a personal letter to all its creative and media agencies requesting the numbers on gender diversity and pay gaps within their teams.

No doubt people will be hash-tagging Balance for Better to their hearts content today, but the power is lost if it’s not grounded in what this really means. If balance is indeed better then how so?

Let’s look at the business case for gender balance. There have been countless studies that outline the benefits of better balanced teams. For those who might dismiss the day, this isn’t a Hallmark event and the concept for better balance across the workforce is rooted in cold hard facts. McKinsey recently published an article on the matter and outlined some of the following benefits of having a balanced team:

  • Teams are more productive
  • Teams are more measured when it comes to risk-taking
  • Teams are better at problem-solving
  • It has a Halo effect on the employer brand
  • Decision making is more reflective of all the members
  • Increased operational profit
  • Employees are more engaged
  • Increased client retention & satisfaction

Having a balanced team drives results at ALL levels of the organisation, and that’s not just a “women’s issue”, that’s everyone’s business.

At RichardsDee gender balance is hugely important to us. Here are our team stats:

  • Gender equality (47:53 / 47% Women: 53% Men)
  • Founders (50:50)
  • Senior members of staff (50:50)

This blog post was brought to you by a gender-balanced team.

12 brands we designed meaningful change for in 2018

2018 proved to be another busy year. We just had enough time to pull together a selection of our favourite projects from the last year.


01 — TDS

TDS is a Super Enterprise B2B Brand making the world’s largest companies and their employees safer through the delivery of access control, visitor management and life safety solutions.

Through a process of audits, interviews, trends research and brand workshops we worked with TDS to unearth their positioning – ‘Providing armour for the Super Enterprise’.

We designed a motion-based brand system to bring their positioning to life in a meaningful way that resonates with their Super Enterprise clients.

View the project →


02 – Kildare Crossings

Kildare Crossings is an ambitious mixed-use development in Kildare adjacent to Kildare Village and Kildare Town.

We named and designed the identity for this exciting new development.


03 – Equiendo

Equiendo are consultants and product developers specialising in providing solutions for large-scale telecoms companies around the world.
By using predictive analytics to provide actionable insights to their clients they enable them to future-proof their networks.

We partnered with Equiendo to create their positioning ‘Predictive analytics. Powering action. Future networks.’ providing them with a clear communications strategy.

View the project →


04 — ITIC

The Irish Tourism Industry Confederation (ITIC) represents the leading tourism interests and businesses throughout Ireland.

Having worked with ITIC on a number of projects over the past couple of years, we were tasked with designing their strategy report to 2025 which lays recommendations the government can invest in, maintain and implement to further the industry’s potential.


05 — Goshawk

Specialists in aircraft leasing, Goshawk is a young company led by a highly experienced team of aviation experts. In the five years since launch, Goshawk has become a top 10 lessor by acquiring a young portfolio of 222 aircraft, valued at over US $11.3bn.

Over the last year we have worked closely with them across print, digital and environmental communications to externalise what differentiated them from their international peers.


06 — Water Conservation

 

With the winter weather firmly in place it’s hard to imagine it was so hot during the summer that the country started running out of water!

To encourage people to conserve water at home and at work we launched a mini campaign with small changes that could make a big impact.


07 — Bewley’s

In 2018 Bewley’s became the first Irish company to launch 100% compostable coffee capsules.

We worked with Bewley’s on the packaging of these innovative pods that compost in only 12 weeks rather than the 500 years it takes other pods to breakdown!


08 — Bord na Móna

Positioning Bord na Móna Horticulture Professional for international success. ‘Enriching Life’s Essentials’ illustrates the benefits of using their raw material to improve yield… naturally.

Their premium products will improve the possibilities open to growing communities of the future, improving access to life essentials for everyone.


09 — IDI Mind Over Matter

The IDI national day of creativity in aid of mental health awareness took place on October 10th. Designers from the best agencies in Ireland donated their time to help raise money for Aware.

This year we were one of the gold sponsors for IDI Mind Over Matter 2018, where we supported the rebrand of the event, enabling it to have a strong and concise brand presence.


10 — 20×20

20×20 is a movement to champion girls and women in sport. To make them a greater part of who we are and what we follow in Irish culture.

By bringing together the media, Ireland’s sporting organisations and the Irish public they aim to achieve a genuine sea-change for women’s sport in Ireland.

We teamed with the 20×20 initiative to create a bold brand to reflect this ethos.


11 — Marianella

Marianella is a distinctive new development located in Rathgar, where we had the pleasure to create a signage system providing wayfinding information to help people navigate around the site.


12 – Energia & Ireland’s Most Christmassy Home

Lights, Christmas, Action! Ireland’s Most Christmassy Home saw the most passionate Christmas decoration aficionados from across the country battle it out to win the trophy, charity donation and accolades that go along with being named the Energia Ireland’s Most Christmassy Home!


 

#PressforProgress

On this global celebration of the political, cultural, social and economic achievements of women, we make our pledges as individuals and as a studio, to each other and to society, to accelerate gender parity. The World Economic Forum’s 2017 Global Gender Gap Report has told us that gender parity is over 200 years away. This morning the Irish Times published another report on the serious under representation of female CEO’s in businesses across our country, yet we know that an organisation with 30 percent female leaders could add up to 6 percentage points to its net margin1 and companies with more women at the top consistently outperform those that don’t.2

It is evident in our own industry, with female leaders unrepresented in creative agencies in Ireland which is why we call for Gender Balanced Leadership and are strongly supporting #WhyDesign, the IDI’s gender balance initiative for the Irish Design Sector.

Shared responsibility and collective action for driving gender parity is what makes International Women’s Day successful and there has never been a more important time to stay focused, motivated and #PressforProgress.

We pledge to:

  • Maintain a gender parity mindset
  • Challenge stereotypes and bias
  • Forge positive visibility of women
  • Influence others’ beliefs / actions
  • Celebrate women’s achievements
  • Help women and girls achieve their ambitions
  • Challenge conscious and unconscious bias
  • Call for gender-balanced leadership
  • Value women and men’s contributions equally
  • Create inclusive, flexible cultures

Sources:

1New research from The Peterson Institute for International Economics and EY reveals significant correlation between women in corporate leadership and profitability.

2Women Matter: A corporate Performance Driver, McKinsey & Company, 2007; Global Gender Gap Report 2014, World Economic Forum.

12 brands we designed meaningful change for in 2017

2017 was our busiest ever so we thought it would be a good idea to step back and take a look over 12 of our favourite projects from the last year.


01 — Wrapsies

We couldn’t think of a more appropriate project to start our 2017 wrap-up. Not only did we create a new identity but we went one step further and designed a range of signature wrapsies hitting their online store in Spring 2018.

View the project →


02 – Soho Forest

We designed the identity, each of the seven collections and developed a new website for Soho Forest, a global wood company ready to floor the competition.


03 – DoDublin

We rebranded Dublin’s original sightseeing tour buses, helping to launch DoDublin onto the streets of Dublin and into the hearts of tourists from around the world. We’d say look out for them but you can’t miss them!

View the project →


04 — Ireland’s Biggest Coffee Morning for Hospice

Following on from our 2016 rebrand of Ireland’s Biggest Coffee Morning, we designed the 2017 campaign to celebrate 25 years of Ireland’s longest running single day charity event and helped raise over €1.8m for vital hospice services.

View the project →


05 — House of HR

With 14 companies, over 500 offices across Europe and a turnover of €1.2bn House of HR needed a revitalised positioning, a simplified brand architecture, a new identity and comms to help them sail into the future.


06 — Bewley’s Grafton Street

We collaborated with Bewley’s in the reopening of one of Dublin’s most iconic landmarks helping them reclaim their position at the heart and hearth of Dublin.


07 — Otis Spunkmeyer

We dropped the Spunkmeyer moniker and gave the new consumer facing Otis brand a fresh new look. Not bad for America’s second biggest cookie company.


08 — The Wheel

We created The Wheel’s new positioning and designed a dynamic new identity. Straight off the back of this, Emma and Kyle headed to the south of France and picked up a gold Cannes Young Lions award.

View the project →


09 — Design Leaders Conference

We designed and helped organise Ireland’s first ever conference aimed specifically at leaders in the creative fields bringing together speakers and delegates from all over the world.


10 — Bewley’s Project Harmony

Inspired by the taste notes in the coffee and Bewley’s unique visual system, the new foodservice coffee packaging will enable Bewley’s to reach new audiences.


11 — Ervia

Ervia deliver Ireland’s national gas and water infrastructure and services. We delivered a refreshed visual identity system, a new brand architecture and many great creative projects throughout the year.


12 – Bord na Móna BioEnergy

With the creation of a new industry came the creation of a new brand that will enable Bord na Móna to lead the change to a more sustainable future.


Phew! ?

We’re off now for a few days of mulled wine and mince pies and we’ll be back open for business on Tuesday 2nd January.

p.s. We’re growing our team here so if you’re interested in a new change for 2018, give us a jingle bell.

Looking for a meaningful change?

We are are on the hunt for curious, thoughtful and talented designers, as well an organised, insightful and imaginative account director. At RichardsDee we believe design has the power to inspire positive change in businesses, brands and the world in which we live. Design that is purposeful and driven by insight inspires employees, changes perceptions and motivates customers. We call this Designing Meaningful Change. And we do it daily for local and global brands through designing brand strategy, brand identity and brand experiences.

Account Director

We are looking for an energetic Account Director who is experienced in brand positioning and generating insights and propositions that shape and influence the direction of our clients brands. You will have experience developing existing client relationships and growing new ones. Ideally you have worked for a number of years at leading national or international agencies and have a track record of leading, managing and inspiring clients to move their brand forward. We are looking for someone whose love of brands and strategy is evident, someone who wants to make an impact on businesses and be part of an energetic team to design meaningful change.

Senior Designer

We are looking for curious, thoughtful, experienced and passionate Senior Designers who can deliver understanding, ideas and creativity to the exciting projects and clients we are working with. Ideally you have worked for a number of years at leading national or international agencies and have a track record of award worthy, idea driven and strategically sound creative projects. We are looking for someone who loves working on branding projects and who is not afraid to challenge how brands can be expressed or should be experienced. You will get to make your mark on significant (and small) branding projects, be part of an energetic team and work closely with clients to design meaningful change.

Designer

We are on the hunt for designers who can bring creativity, energy and problem solving skills to the exciting branding and design projects we are working on. If you have had a couple of years experience at known agencies and are looking to work with a team on significant projects that will help you develop your career then we would love to hear from you. We are looking for someone who wants to do the best work possible, be part of a team and can bring a creative edge – attention to detail and excellent technology skills are a priority. You will get to grow your career, work with a passionate team and work on projects that will define your portfolio.

Looking for a meaningful change and to be part of a growing and ambitious company, then drop us a line at jobs@richardsdee.com

IDI Identity recognised as one of top six global design industry logos

We are delighted to have our branding project for the Institute of Designers included in the 6 best design industry logos and recognised against global peers such as Adobe, SXSW and D&AD.

 

To be recognised with these brands and to give the IDI the profile it deserves is a great testament to the work the team at the studio are delivering.

Read the full article here.


Creative Bloq is an art and design site which provides daily news, inspiration and reviews for creatives of all kinds. In partnership with international media group and leading digital publisher, Future plc, Creative Bloq is the go-to source for creative professionals to keep up with the latest trends in art and design from across the globe.

Special thanks to Tom May for including our design in the article.

51st&Green – A Fusion of Ireland and America

It’s been over a year in the making, but our role in the creation of the new executive lounge at Dublin Airport is complete. Not only is this lounge the only US Preclearance lounge in Europe, it is the first lounge on “US soil,” outside of America.  Working across concept, creative direction, naming, brand identity and passenger experience, this week marks the launch of the lounge, where all of these elements can be experienced together for the first time.

From an initial brief to delivery, the challenge was to convey and position a new lounge experience that captured the crossing of time zones and countries. With a clear understanding of the audience, we considered spaces for play, work, relaxation and to explore the fusion of Irish and American produce. A key focal point was the idea of a barista, to reinforce the quality of experience and to create a talking point for the lounge. MCA Architects led the delivery of the built environment, bringing to life the concept through references to time and the brand colour palette.

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Menu covers and delph.

The name 51st&Green was inspired by the idea of an intersection; the fusion of the best of Ireland with the best of America. The 51st represents the creation of a new time zone – the 51st state of America and the Green is a proud reference towards Ireland and the new Dublin Airport brand. In addition, the construction of the name reflects a traditional American address, and this street sign concept is brought through in the style of the brand mark. This theme is continued across all key touch points to build the 51st&Green story.

This new lounge represents a place where Ireland and America connect; a place where people, time and cultures blend to create a truly unique lounge experience, and we are delighted to have played a leading role in bringing the vision to life.

#51standGreen

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Straight Talking Identity

Following a pitch process, we were delighted to be appointed to work on the naming, brand strategy and creative development of Intuity, a newly formed entity in Galway.

Intuity is home to tec support, an IT support and maintenance business and ice cube, a company that has been providing software solutions to Credit Unions and marts for decades. It was important to develop an overarching creative strategy that aligned the brands and built on the new group positioning – Straight Talking Experts.

With plans for a 100-strong expansion to its workforce, Intuity is ambitious and we are delighted to have played a part in their inception.

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Full house for our latest Insights Talk

RD01_Insights_imageLastThursday evening, we were delighted to be joined by over fifty clients and colleagues at our studio, where Cathy Winston inspired and educated us in the process of Innovation. Black hats, yellow hats, start-up monopoly and cafe conversations, it was a night of creativity, ideas and new thinking – helping us improve our businesses and brands through embracing innovation.

This was our third Insights evenings, where we invite leaders, creatives and like minded individuals to share their passions and insights in an informal and sociable setting. The aim of the evenings are to encourage a shared learning environment where we can be inspired and empowered.

We were delighted with the amount of interest with our latest talk and would like to thank everyone for attending, we are now considering speakers for our next Insights evening which will be soon, and if you are interested in being invited to the next Insights evening then please drop us a note.